This is a review I hadn’t, initially, intended to write.
Some days prior to attending the performance I watched a run-through at the company’s studio in Kingston, southwest London. Guests sat in front of the wall-width mirror on hard chairs, feet tucked under as dancers in practice clothes hurtled past or skidded to within inches. Rehearsals are intimate, casual encounters.
The following week I attended a public performance at Sadler’s Wells. Costumed, with architectural lighting (mainly Andrew Ellis’s designs), and with music pumping through the sound system, each piece was transformed.

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