{"id":67620,"date":"2025-10-27T09:26:31","date_gmt":"2025-10-27T09:26:31","guid":{"rendered":"https:\/\/www.danceforyou-magazine.com\/?p=67620"},"modified":"2026-04-16T07:21:44","modified_gmt":"2026-04-16T07:21:44","slug":"black-sabbath-the-ballet-returns","status":"publish","type":"post","link":"https:\/\/www.danceforyou-magazine.com\/en\/black-sabbath-the-ballet-returns\/","title":{"rendered":"Black Sabbath &#8211; The Ballet returns"},"content":{"rendered":"<p>(\ud83c\uddec\ud83c\udde7)<\/p>\n<p style=\"text-align: right;\">By Vikki Jane VILE<\/p>\n<p>When <em>Black Sabbath &#8211; The Ballet<\/em> first premiered in 2023 and sold out weeks before opening night, Artistic Director Carlos Acosta knew he had something special on his hands. Taking one of Birmingham\u2019s biggest exports and creating a ballet to their music is a bold move and one that is paying dividends. Now it returns just two years later and, once again, the tickets for this short run of performances at Sadler\u2019s Wells are all long gone.<\/p>\n<p>The result is a review-proof show, as much of the audience are heavy metal lovers who\u2019ve never seen a ballet before. They can enjoy the music of the band and be dazzled by the dancers rocking out and blasting through some elegantly choreographed showpieces.<\/p>\n<p>Like classical ballets, <em>Black Sabbath<\/em> features three clearly defined acts. <div class=\"ihc-locker-wrap\"><div  class='ihc_locker_2'><div class='lock_content'><p><img decoding=\"async\" src=\"https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2023\/02\/Imagine_website_Digital_Exklusiv.jpg\" alt=\"\" \/><\/p>\n<h2>Weiterlesen mit Digital+<\/h2>\n<p>Alle Formate in einem ABO.<br \/>\nBequem auf Ihrem mobilen Endger\u00e4t Ihrer Wahl.<\/p>\n<ul>\n<li>Alle Artikel online lesen<\/li>\n<li>Zugang zum ePaper<\/li>\n<li>Zugang zum Online-Archiv von Dance for You<\/li>\n<\/ul>\n<h4>Jetzt digital freischalten!<\/h4>\n<\/div><div class='lock_buttons'>\n  <!-- Login Form - Start -->\n  <div class=\"ihc-login-form-wrap ihc-login-template-11\">\n      <form method=\"post\" id=\"ihc_login_form\">\n          <input type=\"hidden\" name=\"ihcaction\" value=\"login\" \/>\n          <input type=\"hidden\" name=\"ihc_login_nonce\" value=\"b612e5e62b\" \/>\n\n          \n                    <!-- Username field -->\n          <div class=\"impu-form-line-fr\">\n              <i class=\"fa-ihc fa-username-ihc\"><\/i>\n              <input type=\"text\" value=\"\" name=\"log\" id=\"iump_login_username\" placeholder=\"Username\"\/>\n          <\/div>\n          <!-- End of username field -->\n          \n                    <!-- Password field -->\n          <div class=\"impu-form-line-fr\">\n              <i class=\"fa-ihc fa-pass-ihc\"><\/i>\n              <input type=\"password\" value=\"\" name=\"pwd\" id=\"iump_login_password\" placeholder=\"Password\"\/>\n              <span  class=\"ihc-hide-login-pw hide-if-no-js\" data-toggle=\"0\" aria-label=\"Show password\">\n              <span class=\"dashicons dashicons-visibility\" aria-hidden=\"true\"><\/span>\n                <\/span>\n          <\/div>\n          <!-- End of Password field -->\n          \n          \n          <!-- Remember me checkbox -->\n                    <div class=\"impu-remember-wrapper\">\n              <input type=\"checkbox\" value=\"forever\" name=\"rememberme\" class=\"impu-form-input-remember\" \/>\n              <span class=\"impu-form-label-remember\">Remember Me<\/span>\n          <\/div>\n                    <!-- End of remember me --->\n\n          <!-- Additional links -->\n                        <div class=\"impu-form-links-pass\"><a href=\"https:\/\/www.danceforyou-magazine.com\/en\/lost-password\/\">Lost your password?<\/a><\/div>\n                    <!-- End of Aditional links -->\n\n          <div class=\"ihc-clear\"><\/div>\n\n          <!-- captcha -->\n                    <!-- end of captcha -->\n\n          <!-- Submit bttn -->\n                        <div class=\"impu-form-line-fr impu-form-submit\">\n                  <input type=\"submit\" value=\"Log In\" name=\"Submit\"  class=\"button button-primary button-large\"\/>\n              <\/div>\n                    <!-- End of Submit bttn -->\n\n          <!-- Social -->\n                    <!-- End of Social -->\n\n          <!-- Additional links -->\n                        <div class=\"impu-form-links\">\n                <div class=\"impu-form-links-reg\">Don&#039;t have an account? <a href=\"https:\/\/www.danceforyou-magazine.com\/register\/\">Register<\/a><\/div>\n              <\/div>\n                        <!-- End of Aditional links -->\n\n      <\/form>\n  <\/div>\n\n  \n  <span class='ihc-js-login-data'\tdata-user_field='#iump_login_username' data-password_field='#iump_login_password' data-error_message='Please fill out all mandatory fields' ><\/span>\n  <!-- End of Login Form -->\n\n<\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(\ud83c\uddec\ud83c\udde7) By Vikki Jane VILE When Black Sabbath &#8211; The Ballet first premiered in 2023 and sold out weeks before opening night, Artistic Director Carlos Acosta knew he had something special on his hands. Taking one of Birmingham\u2019s biggest exports and creating a ballet to their music is a bold move and one that is [&hellip;]<\/p>\n","protected":false},"author":3010,"featured_media":67571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[250,256],"tags":[],"class_list":["post-67620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exclusive","category-performance-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/67620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/users\/3010"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/comments?post=67620"}],"version-history":[{"count":3,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/67620\/revisions"}],"predecessor-version":[{"id":68445,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/67620\/revisions\/68445"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media\/67571"}],"wp:attachment":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media?parent=67620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/categories?post=67620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/tags?post=67620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}