{"id":59393,"date":"2025-01-01T15:34:18","date_gmt":"2025-01-01T15:34:18","guid":{"rendered":"https:\/\/www.danceforyou-magazine.com\/?p=59393"},"modified":"2026-04-16T07:21:51","modified_gmt":"2026-04-16T07:21:51","slug":"martina-arduino","status":"publish","type":"post","link":"https:\/\/www.danceforyou-magazine.com\/en\/martina-arduino\/","title":{"rendered":"MARTINA ARDUINO"},"content":{"rendered":"

We all have an inner critic<\/strong><\/h3>\n

According to La Scala\u2019s first soloist, sometimes it\u2019s necessary to turn down the volume on it. Here, she explains why and opens up about her personal challenges, her approach to pain, and the darker side of life under the stage lights. Martina Arduino shares the sacrifices, inspirations, and drive that shape her as an artist: \u201cNot fully liking myself all the time has pushed me to improve.\u201d<\/p>\n

By Alessandro BIZZOTTO<\/p>\n

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Martina Arduino in David Dawson’s Anima Animus<\/em> \u00a9 Brescia – Amisano<\/p>\n

These are busy weeks for Martina Arduino. Fresh from her double debut as the Mauve Girl and Green Girl in Jerome Robbins\u2019 Dances at a Gathering<\/em>, she is now preparing to revisit a challenging milestone of the classical repertoire: Clara in Nureyev\u2019s technically demanding The Nutcracker<\/em>. Yet, as we meet on a still-sunny Milan afternoon, Arduino appears composed, projecting a calm professionalism balanced with enthusiasm and restraint.<\/p>\n

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Martina Arduino in Robbins’ Dances at a Gathering<\/em> with Darius Gramada \u00a9 Brescia – Amisano<\/p>\n

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Weiterlesen mit Digital+<\/h2>\n

Alle Formate in einem ABO.
\nBequem auf Ihrem mobilen Endger\u00e4t Ihrer Wahl.<\/p>\n