{"id":32641,"date":"2019-06-25T10:20:28","date_gmt":"2019-06-25T10:20:28","guid":{"rendered":"https:\/\/www.danceforyou-magazine.com\/?p=32641"},"modified":"2019-06-25T10:20:28","modified_gmt":"2019-06-25T10:20:28","slug":"sense-of-time-by-didy-veldmann-at-birmingham-royal-ballet-the-hippodrome-birmingham","status":"publish","type":"post","link":"https:\/\/www.danceforyou-magazine.com\/en\/sense-of-time-by-didy-veldmann-at-birmingham-royal-ballet-the-hippodrome-birmingham\/","title":{"rendered":"Sense of Time by Didy Veldmann at Birmingham Royal Ballet, The Hippodrome Birmingham"},"content":{"rendered":"<p>Sense of Time is the latest commission from Ballet Now, an initiative instigated by Director David Bintley to promote new talent in choreography, giving promising choreographers the chance to work with and present their work on an established ballet company of note.<\/p>\n<p>This is the fourth piece Birmingham Royal Ballet have presented, giving the largely classically dancers a much appreciated chance to work in the here and now. Veldman\u2019s challenge for them to explore her idiosyncratic contemporary style in ways that many must find refreshing has paid off, and all credit must go to her to have achieved the results in movement and power that she has with her excellent cast.<\/p>\n<figure id=\"attachment_32643\" aria-describedby=\"caption-attachment-32643\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-32643\" src=\"https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_191-1024x829.jpg\" alt=\"\" width=\"1024\" height=\"829\" srcset=\"https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_191-1024x829.jpg 1024w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_191-300x243.jpg 300w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_191-600x485.jpg 600w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_191-768x621.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-32643\" class=\"wp-caption-text\">Artists of Birmingham Royal Ballet; photo by Bill Cooper<\/figcaption><\/figure>\n<p>The piece explores our relationship with time today, do we take time to listen? To interact? Are we always pressurized? It Is atmospherically lit with the dancers almost exuding a luminosity against the greys of an enormous wall made of suitcases, which moves and revolves with the action rather like the ticking hands of a giant clock. Veldman\u2019s use of varied tempi for movement, juxtaposed one against another gives an absolute sense of time itself, and clever use of props and the ever-present wall enhance this aura. I especially liked the pas de deux with Delia Matthews locked onto her mobile phone screen, completely ignoring her partner\u2019s efforts for attention \u2013 as if any of us ever succumbs to that \u2026..<\/p>\n<figure id=\"attachment_32644\" aria-describedby=\"caption-attachment-32644\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-32644\" src=\"https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_106-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_106-1024x683.jpg 1024w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_106-300x200.jpg 300w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_106-600x400.jpg 600w, https:\/\/www.danceforyou-magazine.com\/wp-content\/uploads\/2019\/06\/\u00a9BC20190611_SENSEofTIME-_106-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-32644\" class=\"wp-caption-text\">SENSE OF TIME<br \/>C\u00e9line Gittens and Brandon Lawrence; photo by Bill Cooper<\/figcaption><\/figure>\n<p>Brandon Lawrence and Celine Gittens had a contrasting pas de deux demonstrating the fulfilment and passion of two people willing to spend time together. The ensemble work surged with urgency and coherence.<\/p>\n<p>Gabriel Prokofiev\u2019s score was a triumph, and eclectic mix of orchestra and dense textural sounds which was both rhythmic and portentous. The whole piece commanded attention from beginning to end, an excellent addition to the company\u2019s repertoire.<\/p>\n<p>Viki Westalll-Eyre<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sense of Time is the latest commission from Ballet Now, an initiative instigated by Director David Bintley to promote new talent in choreography, giving promising choreographers the chance to work with and present their work on an established ballet company of note. This is the fourth piece Birmingham Royal Ballet have presented, giving the largely [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":32642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[72],"tags":[],"class_list":["post-32641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performance"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32641","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/comments?post=32641"}],"version-history":[{"count":1,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32641\/revisions"}],"predecessor-version":[{"id":32645,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32641\/revisions\/32645"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media\/32642"}],"wp:attachment":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media?parent=32641"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/categories?post=32641"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/tags?post=32641"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}