{"id":32020,"date":"2019-02-20T13:22:31","date_gmt":"2019-02-20T13:22:31","guid":{"rendered":"https:\/\/www.danceforyou-magazine.com\/?p=32020"},"modified":"2019-02-20T13:30:33","modified_gmt":"2019-02-20T13:30:33","slug":"elisa-carrillo-cabrera-designed-as-new-co-director-of-the-compania-nacional-de-danza-cnd-mexico","status":"publish","type":"post","link":"https:\/\/www.danceforyou-magazine.com\/en\/elisa-carrillo-cabrera-designed-as-new-co-director-of-the-compania-nacional-de-danza-cnd-mexico\/","title":{"rendered":"Elisa Carrillo Cabrera designated as new co director of the Compa\u00f1\u00eda Nacional de Danza (CND Mexico)."},"content":{"rendered":"\n

The principal dancer of the State Ballet Berlin, Elisa Carrillo Cabrera will combine her work in the Staatsballet in Berlin, with the position of co-director of the National Dance Company (CND). This was reported by Lucina Jim\u00e9nez, general director of the National Institute of Fine Arts and Literature (INBAL), who announced the new appointment. Her husband, principal dancer with State Ballet Berlin, Mikhail Kaniskin, meanwhile, will help strengthen the international presence of the CND, as well as academic processes of this company, according to a statement.\u00a0
In January Elisa Carrillo Cabrera got the \u201cAlma de la Danza\u201d 2019 award in Russia. She is the first Mexican dancer to receive the most important recognition of choreographic art in that country. The reason for the award is to give recognition to the Mexican\u00a0 dancer for her work \u201cpromoting classic heritage in the world\u201d and her\u00a0 contribution to the dissemination, promotion, and improvement of dance,\u00a0 according to Valeria Uralskaya, editor-in-chief of the Renowned magazine\u00a0 ‘Balet’ and honorary artist of Russia. The prize \u201cAlma de la Danza\u201d was created in 1994 by the\u00a0 Ministry of Culture of the Russian Federation and the editors of the\u00a0 magazine \u201cBallet\u201d.\u00a0In past editions, he has been handed over to legends\u00a0 of classical dance such as Natalia Makarova, Uliana Lapatkina, Svetlana\u00a0 Zakharova, Diana Vishneva, Yuri Grigorovich, Maya Plisetskaya, and\u00a0 Rodion Shchedrin. During the years Elisa was also awarded with the Gold Medal for Merit of Fine Arts in 2016,\u00a0 also the International Dance Open of St. Petersburg in 2013 and the\u00a0 Medal of Merit in Arts of the International Festival of Mayan\u00a0 Culture.\u00a0In addition to his nomination to the Belisario Dominguez Medal\u00a0 by the Chamber of Senators. She is also ambassador of the Culture of Mexico, recognized as\u00a0 such by Conaculta and the Chamber of Deputies, is considered one of the\u00a0 100 most powerful women in Mexico.\u00a0She was also part of \u201cThe 100 Most\u00a0 Creative Mexicans of the World\u201d, published by Forbes Mexico, not only\u00a0 for his artistic career but also for her work to promote the diffusion,\u00a0 education, and development of dance nationally and internationally.\u00a0It\u00a0 also recognizes their support for the dance training of young Mexicans\u00a0 through Fundaci\u00f3n Elisa Carrillo Cabrera AC. <\/p>\n\n\n\n

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Elisa Carrillo Cabrera and Michail Kaniskin in ‘Kazimi’s Colours’ Photo by Jack Devant<\/figcaption><\/figure>\n\n\n\n

BIO

PRINCIPAL DANCER
born in Texcoco (Mexico)

BALLETEDUCATION
 1990-1997 Escuela Nacional de Danza Cl\u00e1sica in Mexico
1999 Scholarship National English Ballet School London
 COMPETITIONS | AWARDS
 2010 “Ambassador of Culture in the State of Mexico\u201c
2006 Silver medal Concurso Nacional de Danza Cl\u00e1sica Infantil y Juvenil
2005 Gold medal Concurso Nacional de Danza Cl\u00e1sica Infantil y Juvenil
2004 Bronze medal Concurso Nacional de Danza Cl\u00e1sica Infantil y Juvenil

ENGAGEMENTS
 1999 Elevin Stuttgarter Ballett \/\/\/ 2000 Corps de ballet \/\/\/ 2004  Demi-Soloist \/\/\/ 2006 Soloist \/\/\/ 2007 Demi-Soloist Staatsballett Berlin  \/\/\/ 2009 Soloist \/\/\/ since 2011 Principal Dancer

REPERTORY
 Michail Fokin\u00b4s \u02baLes Sylphides\u201c (1st Sylphide, Demi-Solo-Sylphide),  Jerome Robbins\u2018 \u02baDances at a Gathering\u201c (blue) and \u201cThe Concert\u201c, George  Balanchine\u00b4s \u201cSymphony in C\u201c (Demi-Solo), John Neumeier\u00b4s \u201cA Streetcar  named Desire\u201c, Reid Anderson\u00b4s\/Valentina Savina\u00b4s \u201cGiselle\u201c (Myrtha,  Solo-Wilis), Hans van Manen\u00b4s \u201cKleines Requiem\u201c; \u201cCorps\u201c; \u201cGro\u00dfe Fuge\u201c,  \u201cGrand Pas de Quatre\u201c, \u201cGraduation Ball\u201c, Robert North\u00b4s \u201cFandango\u201c,  Kevin O\u2019Day\u00b4s \u201cdreamdeepdown\u201c, George Balanchine\u00b4s \u201cApollon musag\u00e8te\u201c  (Kalliope); \u201cDie vier Temperamente\u201c; “Symphony in C”; “Theme and  Variations” (Demi-Solo), Glen Tetley\u00b4s \u201cLe Sacre du printemps\u201c, John  Cranko\u00b4s \u201cDer Widerspenstigen Z\u00e4hmung\u201c (Bianca); \u201cOnegin” (Olga); \u201cSwan  Lake\u201c (Pas de six, four big swans, Spanish princess) and \u201cRomeo and  Juliet\u201c (Gypsy), Christian Spuck\u00b4s \u201cnocturne\u201c (Creation); \u201cSleeper’s  Chambers\u201c; “Giselle” (Pas- de- deux 2nd act); \u201e…, la peau blanche,  …\u201c (Catalina D\u2019Entragues, Creation); \u201cDer Sandmann\u201c (Mother,  Creation); \u201cLulu. A Monstre Tragedy\u201c, Marco Goecke\u00b4s \u201cBlushing\u201c  (Creation), Marco Goecke\u00b4s \u201cDemigods\u201c (Creation), Mauro Bigonzetti\u00b4s  \u201cOrma\u201c (Creation for \u201cTanzsichten II\u201c), Douglas Lee\u00b4s \u201cLachrymal\u201c  (Creation for \u201cTanzsichten II\u201c), Marc Spradling\u00b4s \u201cmelodious gimmick to  keep the boys in line\u201c (Creation), Marco Goecke\u00b4s \u201cSweet Sweet Sweet\u201c  (Creation), Wayne McGregor\u00b4s \u201cEDEN I EDEN\u201c (Creation) and “Nautilus”  (Creation), Christian Spuck\u00b4s, Douglas Lee\u00b4s \u201cViewing Room\u201c (Creation),  Mauro Bigonzetti\u00b4s \u201eDie Br\u00fcder (Ginneta, Creation) and \u201cKazimir\u2019s  Colours\u201c (Pas-de-deux), Marcia Hayd\u00e9e\u00b4s \u201cSleeping Beauty\u201d (Jewels, Fe\u00e9  des Lilas), Peter Schaufuss’\/Auguste Bournonville\u00b4s “La Sylphide” (1st  Sylphide), John Neumeier\u00b4s “Die Kameliendame” (Manon, Olympia), Maurice  B\u00e9jart\u00b4s \u201cGa\u00eet\u00e9 Parisienne\u201c (Empress), V\u00ecctor Ullates “Don Quixote”  (Mercedes)

REPERTORY IN BERLIN
 George Balanchine\u00b4s \u201cSerenade” (female Solo); \u201cBallet Imperial”  (Demi-Solo), Patrice Bart\u00b4s \u201cThe Nutcracker\u201d (Arabian dance, Spanish  dance) and \u201eDas flammende Herz” (Teresa Guiccioli, Claire), Frederick  Ashton\u00b4s \u201cSylvia” (Sylvia\u00b4s companion), Jerome Robbins’ \u201cThe Concert”,  \u201cGlories of the Romantic Ballet”, Marius Petipa\u00b4s \u201cPaquita” (Grand Pas),  Peter Schaufuss’ \u201cLa Sylphide” (Solo-Sylphide), Jodie Gates’ \u201cCourting  the Invisible” (Creation), Clark Tippet\u00b4s \u201cBruch Violin Concerto No. 1″,  Opening 2008 and \u201cMalakhov & Friends 2008″ (Ronald Savkovic\u00b4s  “Alexander der Gro\u00dfe” Duett), Mauro Bigonzetti\u00b4s \u201cCaravaggio”  (Creation), Angelin Preljocaj\u00b4s \u201cSnow White\u201d (Snow White), Vladimir  Malakhov\u00b4s \u201cLa Bayadere\u201d (Hamsatti) and \u201dLa P\u00e9ri” (Nourmahal, Spanish  princess), Kathlyn Pope\u00b4s \u201cSPACE CONTROL AREA For interest only!” (Shut  Up And Dance! Reloaded”), Tomaz Pandur\u00b4s\/Ronald Savkovic\u00b4s \u201cSymphony Of  Sorrowful Songs”, Giorgio Madia\u00b4s \u201cOZ – The Wonderful Wizard” (WWW, The  Wicked Witch of the West), Yuri Burlaka\u00b4s \/Vasily Medvedev\u00b4s \u201dLa  Esmeralda” (Esmeralda, Gypsy and friend of Fleur de Lys), Heinz  Spoerli\u00b4s \u201cPeer Gynt” (Anitra), Nacho Duato\u00b4s \u201eArcangelo\u201d (\u201cDuato |  Forsythe | Goecke\u201d) and \u201cMultiplicity. Forms of Silence and Emptiness\u201d,  Marco Goecke\u00b4s \u201cand the sky on that cloudy old day” (\u201cDuato | Forsythe |  Goecke\u201d), John Cranko\u00b4s \u201cRomeo and Juliet” (Juliet), Itzik Galili\u00b4s  \u201cThe Open Square”, Nacho Duato’s “The Nutcracker” (Arabian dance),  Benjamin Millepied’s “Daphnis et Chlo\u00e9” (Chlo\u00e9, “Maillot |  Millepied”), V\u00ecctor Ullates “Don Quixote” (Mercedes),  Nacho Duato\u00b4s  \u201eRomeo and Juliet” (Juliet)

OTHER PARTICULARITIES
 invitations: 2010 Ballett-Gala “Ballettissimo” in Mexico City |  “Pestov”-Ballett-Gala in Moscow | “Liepa”-Ballett-Gala in Riga |  “Ballets-Russes”-Ballett-Gala in Cannes
2009 Miami Ballet Festival

guest performances: Paris, Japan, China, USA, Korea, Italy, Cairo, Switzerland, Singapore, Bangkok, Hong Kong, Luxemburg
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The principal dancer of the State Ballet Berlin, Elisa Carrillo Cabrera will combine her work in the Staatsballet in Berlin, with the position of co-director of the National Dance Company (CND). This was reported by Lucina Jim\u00e9nez, general director of the National Institute of Fine Arts and Literature (INBAL), who announced the new appointment. Her […]<\/p>\n","protected":false},"author":5,"featured_media":32021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67],"tags":[],"class_list":["post-32020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsroom"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/comments?post=32020"}],"version-history":[{"count":6,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32020\/revisions"}],"predecessor-version":[{"id":32032,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/posts\/32020\/revisions\/32032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media\/32021"}],"wp:attachment":[{"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/media?parent=32020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/categories?post=32020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danceforyou-magazine.com\/en\/wp-json\/wp\/v2\/tags?post=32020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}