Fresh from his appointment as an étoile of the Paris Opera Ballet, Belgian dancer Thomas Docquir reflects on the paradoxes of a career built on constant self-questioning: the need to be corrected, the pressure of being reliable, and the danger of becoming trapped by the image of the classical prince. Beyond the spotlight, he discusses the darker sides of the repertoire he wants to explore, the changing culture of ballet, and the personal challenge of discovering what remains when the costume comes off and the title is no longer enough.
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