Adolphe Binder – Between Artistic Freedom and Social Responsibility
interview by Armando BRASWELL As you conclude your chapter with Ballett Basel, what are you most proud of? I’m proud...
interview by Armando BRASWELL As you conclude your chapter with Ballett Basel, what are you most proud of? I’m proud...
Interview by Alessandro BIZZOTTO For some years, you were a principal dancer with both the National Ballet of Canada and...
Smiling always helps The Royal Ballet’s principal dancer reflects on the weight of perfection, the balance between artistry and technique,...
Perfectly imperfect By Vikki Jane VILE In the traditional world of ballet, Natalia Osipova is a small, but powerful...
Spotlight on Kobi Rozenfeld: A Dance Visionary By Alexandra ZEHETNER Kobi Rozenfeld is widely recognized for his exceptional...
I’m Not Playing That Game The principal dancer of the Paris Opera Ballet avoids the diva image embraced by some...
15 Jahre Leiter der Ballett-Akademie in München Ein Gespräch über Ausbildung und die Zukunft von Ballettkünstlern von Ute FISCHBACH-KIRCHGRABER Vor...
Exploring the Journey and Vision of Alvin Ailey's Assistant Rehearsal Director By Armando BRASWELL In the world of dance, few...
Ein Gespräch mit Jochen Heckmann von Renate Baumiller-Guggenberger Jochen Heckmann (*1968) wuchs im Schwarzwald auf, studierte Klassischen und Zeitgenössischen Tanz...
We all have an inner critic According to La Scala’s first soloist, sometimes it’s necessary to turn down the volume...
On the Trails of Fame in LA Rasta Thomas and the Magic of Debbie Allen’s Dance Academy By Alexandra...
BACK TO THE ROOTS: THE ART OF MAKING WORK A conversation with ROBERT BATTLE By Armando BRASWELL Congratulations on...
